DEAD OR ALIVE

For YELLOW’s DEAD OR ALIVE, the concert’s cycle of death and renewal becomes a visual world of unstable bodies and shifting light. A fractured sculptural face, a suspended portrait and enlarged human silhouettes bring physical presence to the screen, while blue and magenta environments open up around the live performer. The visual direction moves between dark, material textures and luminous, otherworldly spaces, echoing the contrast between forceful performance and inward reflection. These changes give the songs distinct atmospheres while holding them within the show’s larger exploration of transformation.黃宣《DEAD OR ALIVE》的視覺，將生死循環延伸為身體與光線不斷變化的世界。剝落的雕塑面孔、懸浮肖像與放大的人形，讓螢幕中的身體與現場表演者彼此呼應；藍紫色光域則打開另一層想像空間。影像在幽暗材質、異質場景與明亮光感之間轉換，承接音樂的衝力與內在獨白，讓各首歌擁有不同氛圍，也維持蛻變與重生的連續感。