SPLENDOR

SPLENDOR moves through sculptural landscapes, human traces and abstract forms, holding them together through changes in scale, texture and light. A suspended orb hovers above mountains; radial geometry opens across a pale field; a figure and its reflection divide a space into light and shadow. Elsewhere, translucent faces, organic colour and repeated city lights overlap. The film’s visual thread lies in these transformations: solid forms become permeable, landscapes become constructed spaces, and the body becomes one material among many in a shifting sequence of images.《大放》穿行於雕塑地景、人體痕跡與抽象形體之間，以尺度、材質和光線的變化串起不同畫面。球體懸於山景上方，放射幾何展開於淺色空間，人物與倒影則將場景切分為明暗兩面。半透明面孔、有機色彩與重複城市光影接續交疊，使固體逐漸顯得可穿透，風景成為可重組的空間，身體也化為其中一種持續變動的視覺材料。