HOW DID I END UP HERE

A distant figure on an open, dark landscape meets the stillness of an amber-lit interior. The film’s visual contrast moves from exposed terrain to a room shaped by a window, a table and a solitary body. Jyun Chang’s contribution spans direction, editing and colour.開闊幽暗地景中的遠方身影，對照暖色室內的靜止時刻。影像從裸露的地貌走入窗、桌與獨處人物構成的房間，在兩種空間中凝視情緒。章郡參與本作的導演、剪輯與調光。